Kunst-Landkarte
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Stilepochen, Kunstrichtungen, Kunststile
Kunstepochen, Kunststile, Stilepochen Diagramm

Clyfford Still im Vergleich mit Hélio Oiticica

Clyfford Still (1904 Grandin - 1980 Baltimore)
Abstrakte Malerei (USA), Abstraker Expressionismus (USA)
Kunstwerke von Clyfford Still (1944–1965)
Clyfford Still (1944–1965), 1944-N Nr. 2, New York, Museum of Modern Art (MoMA), Saal 403, 1944
1944-N Nr. 2
New York, Museum of Modern Art (MoMA), Saal 403
1944
Clyfford Still (1944–1965), Ohne Titel, New York, Metropolitan Museum of Art (Met), Saal 920, 1946–1947
Ohne Titel
New York, Metropolitan Museum of Art (Met), Saal 920 (Inventar-Nr. 1986.441.2)
1946–1947
Clyfford Still (1944–1965), Ohne Titel, Köln, Museum Ludwig, 01.50, 1948–1949
Ohne Titel
Köln, Museum Ludwig, 01.50 (Inventar-Nr. ML 01275)
1948–1949
Clyfford Still (1944–1965), 1950-E, New York, Metropolitan Museum of Art (Met), Saal 920, 1950
1950-E
New York, Metropolitan Museum of Art (Met), Saal 920 (Inventar-Nr. 1986.441.4)
1950
Clyfford Still (1944–1965), 1950-W, New York, Metropolitan Museum of Art (Met), Saal 920, 1950
1950-W
New York, Metropolitan Museum of Art (Met), Saal 920 (Inventar-Nr. 1986.441.5)
1950
Clyfford Still (1944–1965), Ohne Titel, New York, Metropolitan Museum of Art (Met), Saal 921, 1960
Ohne Titel
New York, Metropolitan Museum of Art (Met), Saal 921 (Inventar-Nr. 1986.441.7)
1960
Clyfford Still (1944–1965), 1965 (PH-578), Madrid, Museo Thyssen-Bornemisza, Saal 46, nordamerikanische Malerei des 20. Jahrhunderts, 1965
1965 (PH-578)
Madrid, Museo Thyssen-Bornemisza, Saal 46, nordamerikanische Malerei des 20. Jahrhunderts (Inventar-Nr. 766 (1982.36))
1965
Hélio Oiticica (1937 Rio de Janeiro - 1980 Rio de Janeiro)
Konzeptkunst (Brasilien)
Kunstwerke von Hélio Oiticica (1957–1968)
Hélio Oiticica (1957–1968), Metaesquema, Madrid, Museo Reina Sofía, Saal 410, 1957
Metaesquema
Madrid, Museo Reina Sofía, Saal 410 (Inventar-Nr. DO01967)
1957
Hélio Oiticica (1957–1968), Metaesquema, Madrid, Museo Reina Sofía, Saal 410, 1957
Metaesquema
Madrid, Museo Reina Sofía, Saal 410 (Inventar-Nr. DO01985)
1957
Hélio Oiticica (1957–1968), Metaesquema, Madrid, Museo Reina Sofía, Saal 410, 1957
Metaesquema
Madrid, Museo Reina Sofía, Saal 410 (Inventar-Nr. DO01986)
1957
Hélio Oiticica (1957–1968), Ohne Titel, Madrid, Museo Reina Sofía, Saal 410, 1959
Ohne Titel
Madrid, Museo Reina Sofía, Saal 410 (Inventar-Nr. DO01965)
1959
Hélio Oiticica (1957–1968), Ohne Titel, Madrid, Museo Reina Sofía, Saal 410, 1959
Ohne Titel
Madrid, Museo Reina Sofía, Saal 410 (Inventar-Nr. DO01966)
1959
Hélio Oiticica (1957–1968), Box Bólide 17 - Poem Box, London, Tate Gallery of Modern Art (Tate Modern), Artist and Society 2, 1965
Box Bólide 17 - Poem Box
London, Tate Gallery of Modern Art (Tate Modern), Artist and Society 2 (Inventar-Nr. X73379)
1965
Hélio Oiticica (1957–1968), P11 Parangolé Cape 7, Sex and Violence, That's What I Like, London, Tate Gallery of Modern Art (Tate Modern), Artist and Society 2, 1966
P11 Parangolé Cape 7, Sex and Violence, That's What I Like
London, Tate Gallery of Modern Art (Tate Modern), Artist and Society 2 (Inventar-Nr. X73377)
1966
Hélio Oiticica (1957–1968), seja marginal, seja herói (Sei ein Held, sei ein Geächteter), London, Tate Gallery of Modern Art (Tate Modern), Artist and Society 2, 1968
seja marginal, seja herói (Sei ein Held, sei ein Geächteter)
London, Tate Gallery of Modern Art (Tate Modern), Artist and Society 2 (Inventar-Nr. X73378)
1968

In Vorbereitung: Paris, Musée d’Orsay; Paris, Musée des Arts décoratifs; L'Aquila, Museo Nazionale d'Abruzzo; Ascoli Piceno, Pinacoteca civica

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