Ecce Homo

Ecce Homo
Rembrandt (Rembrandt Harmenszoon van Rijn) (1627–1669), Ecce Homo, London, National Gallery, Saal 22, 1634, Bild 1/2
Rembrandt (Rembrandt Harmenszoon van Rijn) (1627–1669), Ecce Homo, London, National Gallery, Saal 22, 1634, Bild 1/2
Rembrandt (Rembrandt Harmenszoon van Rijn) (1627–1669), Ecce Homo, London, National Gallery, Saal 22, 1634, Bild 2/2

Ecce Homo

The subject known as Ecce Homo (Behold the Man) derives from Pilate's words in the gospel of Saint John (19: 5). Pilate presents Christ to the people who demand his execution, insisting that they have no king but Caesar. This sketch is the only known full-scale preparatory study Rembrandt made for one of his etchings.

London, National Gallery, Saal 22
London, National Gallery, Saal 22, Bild 1/2
London, National Gallery, Saal 22, Bild 1/2
London, National Gallery, Saal 22, Bild 2/2

In Vorbereitung: Paris, Musée d’Orsay; Paris, Musée des Arts décoratifs; L'Aquila, Museo Nazionale d'Abruzzo; Ascoli Piceno, Pinacoteca civica

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