Ölskizze des Hochaltarbildes der St.-Bavo-Kathedrale in Gent

Ölskizze des Hochaltarbildes der St.-Bavo-Kathedrale in Gent
Peter Paul Rubens (1598–1640), Ölskizze des Hochaltarbildes der St.-Bavo-Kathedrale in Gent, London, National Gallery, Saal 18, 1611–1612, Bild 1/2
Peter Paul Rubens (1598–1640), Ölskizze des Hochaltarbildes der St.-Bavo-Kathedrale in Gent, London, National Gallery, Saal 18, 1611–1612, Bild 1/2
Peter Paul Rubens (1598–1640), Ölskizze des Hochaltarbildes der St.-Bavo-Kathedrale in Gent, London, National Gallery, Saal 18, 1611–1612, Bild 2/2

Oil Sketch for the High Altarpiece, St Bavo, Ghent

Bishop Maes commissioned Rubens to paint a triptych for St Bavo's Cathedral in Ghent, but the project was abandoned when the bishop died in 1612. This painting may be the sketch for the commission that is mentioned in documents, and which Rubens considered the most beautiful thing he had ever done.

Renouncing his life as a soldier, Bavo, wearing a red cloak, enters the church. He is received by Saint Floribert (bending forward), abbot of the Benedictine monastery, and Saint Amand, who converted him. Rubens has delighted in showing Saint Bavo's wealth being distributed to the poor.

London, National Gallery, Saal 18
London, National Gallery, Saal 18, Bild 1/2
London, National Gallery, Saal 18, Bild 1/2
London, National Gallery, Saal 18, Bild 2/2

In Vorbereitung: Paris, Musée d’Orsay; Paris, Musée des Arts décoratifs; L'Aquila, Museo Nazionale d'Abruzzo; Ascoli Piceno, Pinacoteca civica

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