Die Eroberung Karthagos

Position Venedig, Palazzo Secco Dolfin
Die Eroberung Karthagos
Giovanni Battista Tiepolo (1715–1785), Die Eroberung Karthagos, Venedig, Palazzo Secco Dolfin, jetzt New York, Metropolitan Museum of Art (Met), Saal 600, 1725–1729, Bild 1/2
Giovanni Battista Tiepolo (1715–1785), Die Eroberung Karthagos, Venedig, Palazzo Secco Dolfin, jetzt New York, Metropolitan Museum of Art (Met), Saal 600, 1725–1729, Bild 1/2
Giovanni Battista Tiepolo (1715–1785), Die Eroberung Karthagos, Venedig, Palazzo Secco Dolfin, jetzt New York, Metropolitan Museum of Art (Met), Saal 600, 1725–1729, Bild 2/2

This painting is from a series of ten magnificent canvases painted to decorate the main room of Ca' Dolfin, Venice. The subject has been variously identified. It probably shows the capture of Carthage by Cornelius Scipio Aemilianus (known as Scipio Africanus the Younger) in 146 B.C., a momentous event that categorically ended the power of Carthage. The carnage was unspeakable and the city burned for seventeen days. The depiction of this event probably carried an allusion to the recent campaigns of the Venetians against the Turks in the Mediterranean, and in particular to the participation of Daniele Dolfin.

Kunstwerke in der Umgebung (1727–1729)
New York, Metropolitan Museum of Art (Met), Saal 600
New York, Metropolitan Museum of Art (Met), Saal 600, Bild 1/2
New York, Metropolitan Museum of Art (Met), Saal 600, Bild 1/2
New York, Metropolitan Museum of Art (Met), Saal 600, Bild 2/2

In Vorbereitung: Paris, Musée d’Orsay; Paris, Musée des Arts décoratifs; L'Aquila, Museo Nazionale d'Abruzzo; Ascoli Piceno, Pinacoteca civica

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