London, National Gallery, Saal 64

Position London, National Gallery
Künstler in London, National Gallery, Saal 64
Nur hier
Antonello da Messina
um 1429/1430 Messina - 1479 Messina
Nur hier
Hugo van der Goes (Nachfolger)
um 1435/1440 Gent - 1482 Oudergem
Nur hier
Luis de Morales
um 1509 Badajoz - 1586 Badajoz
Nur hier
Paolo da San Leocadio
1447 Reggio Emilia - um 1520 Valencia
Nur hier
Simon Marmion (Nachfolger)
um 1425 Amiens - 1489 Valenciennes
Kunstwerke (1450–1567)

BEYOND THE NETHERLANDS

Famous for their technical virtuosity and striking verisimilitude, Netherlandish paintings were sought after all over Europe in the 15th century. Some were commissioned by foreign clients, while others were made for export and the open market. Small-scale devotional images of Christ and the Virgin proved especially popular, such as Dirk Bouts' Mater Dolorosa and Christ Crowned with Thorns. His workshop produced numerous versions of these paintings, which could be easily transported due to their small size.

Painters trained in the Netherlandish use of oil paint found success in other parts of Europe. In Spain, Bartolomé Bermejo's mastery of the technique was second to none. His Saint Michael triumphant over the devil exemplifies his ability to capture dazzling light, vivid colours, and a range of textures and materials. Juan de Flandes, a Netherlandish artist, was painter to Queen Isabella of Spain, who also commissioned work from Michel Sittow, a native of Tallinn in Estonia working in the Netherlandish tradition.

London, National Gallery, Saal 64
London, National Gallery, Saal 64, Bild 1/2
London, National Gallery, Saal 64, Bild 1/2
London, National Gallery, Saal 64, Bild 2/2

In Vorbereitung: Paris, Musée d’Orsay; Paris, Musée des Arts décoratifs; L'Aquila, Museo Nazionale d'Abruzzo; Ascoli Piceno, Pinacoteca civica

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